El OLED insignia de 65 pulgadas de Panasonic tiene un descuento de 7 700 hoy
Digital Trends puede ganar una comisión cuando compra a través de enlaces en nuestro sitio. ¿Por qué confiar en nosotros?
Zeke Jones / Tendencias digitales
Ha pasado un minuto desde que los televisores Panasonic estuvieron disponibles en los Estados Unidos, por lo que puede imaginar nuestra emoción cuando la Panasonic Z95A Series 4K OLED llegó a los estantes hace varios meses. Pudimos probar este modelo de regreso a América del Norte, y nuestro equipo editorial dijo: "Una imagen impresionante y un sonido sorprendentemente bueno ayudan a que el Panasonic Z95A sea uno de los 5 mejores televisores que hemos revisado.”
Esta semana, cuando compre la Panasonic Z95A de 65 pulgadas, pagará un precio con descuento de 2 2,500 más impuestos. ¡Eso es una rebaja de 7 700 del precio original del televisor!
Por qué debería comprar la serie Panasonic Z95A
La Panasonic Z95A es uno de esos gloriosos equipos insignia que soporta cada procedimiento de banco de pruebas casi a la perfección. Este OLED 4K tiene una amplia gama de colores, especialmente cuando se ven películas en HDR. ¡Espere colores intensos y realistas y el tipo de niveles de negro tinta por los que solían ser conocidos los televisores de plasma Panasonic!
El Z95 también tiene un excelente manejo del deslumbramiento y la reflexión, y puede brillar lo suficiente cuando mira contenido SDR como para enfrentarse a fuentes de luz ambiental en su sala de estar o cine en casa. También tiene una frecuencia de actualización nativa de 144Hz y una gran cantidad de optimizaciones de juegos, incluido un modo dedicado True Game picture para mejorar el tiempo de respuesta y reducir el retraso de entrada.
Es posible que haya notado el sistema de altavoces gigante integrado en este televisor. En realidad, es una barra de sonido Panasonic 5.1 completa con un woofer integrado que supera con creces su categoría de peso.
Las aplicaciones, la duplicación de pantalla y los controles domésticos inteligentes están disponibles una vez que el televisor está conectado a Internet, con el sistema operativo Fire TV de Amazon ejecutando el programa. Los anuncios son un poco molestos, ¡pero aparte de eso, es un centro inteligente sólido como una roca!
Ahorre 7 700 en el OLED 4K de la serie Z95A de 65 pulgadas de Panasonic cuando compre hoy. También recomendamos echar un vistazo a nuestras listas de las mejores ofertas de televisores OLED, las mejores ofertas de televisores y las mejores ofertas de Amazon para obtener aún más descuentos en los televisores mejor calificados.
Michael Bizzaco ha estado vendiendo, instalando y hablando sobre televisores, barras de sonido, dispositivos de transmisión y todo lo relacionado con el hogar inteligente.…
Este enorme televisor Hisense de 100 pulgadas tiene un descuento de today 200 hoy
La serie Hisense U76N es uno de los televisores QLED 4K de 100 pulgadas más brillantes que jamás hayamos visto. No lo leyó mal: este enorme ULED de 100 pulgadas (lo que Hisense llama sus modelos QLED) ofrece increíbles números de brillo máximo, junto con hermosos colores y un rendimiento HDR de primera categoría. También está a la venta esta semana:
Por tiempo limitado, podrá obtener la ULED Hisense U76N Series 4K de 100 pulgadas por solo $1,800. El MSRP de este televisor es de 2 2,000, por lo que ahorrará 2 200 durante esta venta.
Leer más
Este TELEVISOR para juegos OLED de 42 pulgadas de Samsung tiene un buen descuento
Todos sabemos que Samsung fabrica algunos de los mejores televisores del mercado y lo ha hecho durante bastante tiempo. Pero, ¿sabías que Samsung fabrica un televisor OLED de tamaño mediano que funciona perfectamente como monitor para juegos? Estamos hablando del increíble OLED 4K de la serie S90D de Samsung de 42 pulgadas, que casualmente estará a la venta esta semana:
Por tiempo limitado, podrá obtener este televisor por solo 9 900 cuando lo compre en minoristas como Amazon, B&H Photo-Video y Samsung. El MSRP de este televisor es de 1 1,400, ¡así que te ahorrarás 5 500!
Leer más
Este televisor 4K económico ahora es aún más asequible
No tiene que conformarse con una imagen y un sonido mediocres cuando compra un televisor económico. Marcas como Hisense, TCL y la marca propia Onn de Walmart producen modelos excepcionales en HD y 4K que son mucho más amables con nuestras billeteras y, al mismo tiempo, priorizan el rendimiento y las características generales. Por suerte, uno de estos sets económicos está a la venta:
Por tiempo limitado, el televisor Roku 4K de 50 pulgadas Onn está a la venta por $198 cuando normalmente tiene un precio de 3 330. ¡Eso es un descuento de $131 y un muy buen precio para un televisor de tamaño mediano!
Leer más
Other articles
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
Casey Chong examines eight notable cult sci-fi films from 1985...
The year 1985 was significant for the iconic sci-fi film Back to the Future, which grossed over $210 million in the U.S. alone. Directed by Robert Zemeckis, this time-travel classic remains a beloved cinematic landmark. Alongside it, several other sci-fi movies were released, some achieving success like Cocoon, while others, such as Enemy Mine and Explorers, were largely overlooked by audiences at the time. Below, we present our selections of the essential sci-fi films from 1985 beyond Back to the Future...
Re-Animator
Not for the faint of heart, Stuart Gordon fully embraces Lovecraftian horror with sci-fi elements in Re-Animator. The film features Jeffrey Combs in his memorable and eccentric role as Herbert West, a deranged medical student obsessed with resurrecting the dead using his experimental serum. Gordon’s direction captures the essence of a B-movie spirit, merging sci-fi horror with dark comedy. The film is exceptionally bloody and gory, showcasing impressive practical effects and maintaining a brisk pace without unnecessary distractions. The cult success of Re-Animator led to two sequels, Bride of Re-Animator and Beyond Re-Animator.
Brazil
Terry Gilliam’s often-misunderstood sci-fi masterpiece failed to draw large audiences upon its release but has since been recognized as a classic. Gilliam, who co-wrote the screenplay, presents a unique vision of a dystopian future rife with bureaucratic absurdities, focused on a low-level government employee, played by the empathetic Jonathan Pryce, as he navigates a landscape of daydreams and mundane reality. Beyond Gilliam’s stunning visuals and quirky humor, the film offers profound narrative depth, drawing on Orwellian themes of totalitarianism and oppression. Although its nearly 2 ½ hour runtime might deter some viewers, Gilliam’s intricate direction offers a distinctive cinematic experience worth witnessing.
Enemy Mine
Wolfgang Petersen, known for genre-defining works like Das Boot and Air Force One, directed the sadly underrated Enemy Mine, which came a year after the success of The NeverEnding Story. The film faced numerous behind-the-scenes challenges, including the firing of original director Richard Loncraine, who had already filmed some scenes. Rather than using Loncraine's footage, Petersen opted to start anew. Unfortunately, despite his efforts, Enemy Mine struggled at the box office, yet it deserves recognition for its effective exploration of themes such as harmony, unity, and empathy, adapted from Barry B. Longyear’s novella by Edward Khmara. Primarily centering on the conflict between human pilot Willis Davidge (Dennis Quaid) and a reptilian being named Jeriba Shigan (Louis Gossett Jr., in full prosthetic makeup), the film thrives on the chemistry between the two leads, elevating it beyond a simple survival story.
The Quiet Earth
This film from New Zealand presents a haunting “what if” scenario in which a global disaster nearly wipes out all humanity. Directed by Geoff Murphy, who later took on Hollywood projects like Young Guns II, The Quiet Earth opens with a captivating scene where a man (Bruno Lawrence) wakes up to find himself utterly alone in a city. The first 35 minutes focus on Lawrence’s character, Zac Hobson, as he copes with solitude, even resorting to donning a dress for entertainment. His performance is exceptional, capturing a blend of isolation, frustration, and odd joy. The narrative later introduces two additional characters: a young woman named Joanne (Alison Routledge) and a Maori man named Api (Pete Smith). Adapted from Craig Harrison’s novel, the film explores themes of human instinct, trust, and racial tension leading to a surreal and ambiguous conclusion.
Cocoon
Surprisingly, Robert Zemeckis was originally slated to direct Cocoon, but after Fox executives' negative reactions to an early cut of Romancing the Stone, Ron Howard took over. Howard’s deliberate direction proved perfect for Tom Benedek’s screenplay about seniors at a retirement home who discover a swimming pool with giant cocoons that rejuvenate them. The film thoughtfully examines aging and the rediscovery of youth through the experiences of its elderly characters, portrayed by Don Ameche, Wilford Brimley, and Hume Cronyn. Rather than merely invoking nostalgia, Howard elicits strong performances from this older cast. While the special effects, especially the glowing alien beings, may seem dated today, the film’s charm and positive portrayal of the creatures are undeniable. Cocoon became a significant hit that year, followed by a less successful sequel, Cocoon: The Return, released three years later.
The Stuff
The film's title refers to a mysterious, sweet, and addictive white goo, reminiscent of shaving cream. This substance quickly becomes a national obsession, capturing America’s attention. Writer-director Larry Cohen fully embraces the absurdity
El OLED insignia de 65 pulgadas de Panasonic tiene un descuento de 7 700 hoy
El OLED 4K de la serie Z95 de Panasonic de 65 pulgadas está a la venta esta semana por $2,500, una rebaja de 7 700 de su precio habitual.